A MIRACLE born of ONE MAN's VISION, CONVICTION, and LABOR of LOVE
A new paradigm for music education and the
alleviation of poverty
Can classical music save children
from poverty and crime?
Or is this a quixotic question only dreamers dare to ask?
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Over three decades
ago in Venezuela, one man dreamed up a plan for saving the children:
give a poor man's child a musical instrument and he/she will never
carry a gun; teach him or her how to play rich man's music (e.g.,
Mozart and Beethoven) in an orchestra, and he will learn not only
how to make music but how to live a meaningful life.
The dreamer is 68-year old JOSÉ ANTONIO ABREU - a
visionary, but also a credentialed composer/conductor, economics
professor, and one-time politician who served in the Venezuelan
National Assembly. He admittedly had his moments of doubt,
but his persistence and hope never flagged.
Today, his dream is a living reality known as EL SISTEMA,
the country's ensemble-based national system for music education
administered by a state foundation (FESOJIV), that has survived
political upheavals and changes in government - and he has the numbers
to show for it. |
PREVIEW:
EL SISTEMA, a new film
TOCHAR
y LUCHAR: excerpts |
In Venezuela today, there are
- over 30 professional orchestras,
where 30 years ago there were only two;
- over 90 music schools
or (or núcleos) where children (from age 2 to the 20s) learn
to play music together 6 days a week, 4 hours a day;
- over 250,000 children and
young adults, 90% from humble backgrounds, who while learning
music under the tutelage of 15,000 paid teachers, are members of
- over 135 youth orchestras
and 90 children's orchestras that
in addition to the schools comprise El sistema,
- whose lives have not only been spiritually
enriched but saved from poverty and crime,
- from whose ranks have evolved the
flagship SIMON BOLIVAR YOUTH ORCHESTRA OF VENEZUELA (SBYOV),
a now-internationally recognized ensemble of more than 150 young musicians,
who by the end of 2007 will have performed some of the symphonic repertoire's
most formidable pieces in many of the world's great concert halls,
- and has risen one of today's most
gifted young conductors, Abreu protégé GUSTAVO
DUDAMEL who by the time he turns 27 in January 2008 will
have conducted many of the world's great orchestras and in 2009 will
call WALT DISNEY CONCERT HALL in Los Angeles his
artistic home when he becomes the LA PHILHARMONIC ORCHESTRA's
MUSIC DIRECTOR while retaining his posts with the SBYOV and
Sweden's Gothenburg Symphony of which he has been Principal Conductor
beginning in 2007.
The basis of El sistema is the
development center called a nucleus (or nucleo), of which there are
approximate 90 throughout the country, with each nucleo having 3 or
4 orchestras classified as pre-school, children's or youth, comprised
of children, age 2 to 18, who upon receiving their musical instrument
are almost instantly immersed in ensemble playing. Thus from the
outset, as they learn how to make beautiful music together, they learn
the rubrics of both musical and human harmony. The Director of the Latin
American Violin Academy, JOSE FRANCISCO DEL CASTILLO, sums it up well
- both for his Academy and for the program itself: "In Venezuela,
we have created a unity of style. This is a school like no other in
Latin America. We must talk about the inspiration that the orchestra
represents for them."
El sistema's success as a force for cultural upliftment AND
an agent for socioeconomic change, so phenomenal that it can no longer
be ignored or denied, has caused the Inter-American Development Bank
to take serious notice - to the melodic tune of $150M for the construction
throughout Venezuela, not of your usual roads and bridges, but of seven
regional centers of music for El sistema which recently
inaugurated its 11-story, $25M CENTER FOR SOCIAL ACTION THROUGH MUSIC
in Caracas. Because he genuinely
believes that further empowerment of the poor can be gained by exposure
to ALL the arts, Abreu intends for each center to represent - in its
design, decor and structure - the best in the visual arts and architecture.
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But of course, the first
ones who took notice were the high and mighty among today's music
makers. They beat a now well-trodden path to Caracas - wondering
why nobody thought of music education in quite this way before but
in visibly joyful awe of the music-making miracle that, after thirty
years, continues to transform the lives of hundreds of thousands
of young Venezuelans. |
Treatises
can undoubtedly be written about El sistema - its origins,
guiding principles, and success stories. But no more eloquent account
can be found than the words of the Founder
himself, of those who have witnessed
or taken part in its success, and of the
people (from the first generation to today's children) who
are its greatest beneficiaries. -GJBCajipe
/© FanFaire
"Mahler:
Symphony No. 5" with Gustavo Dudamel
and the Simon Bolivar Youth Orchestra of Venezuela was a FanFaire-DGG
CD GIveaway.
TWO FILMS on DVD that tell
the phenomenal story of EL SISTEMA and the SIMON BOLIVAR YOUTH
ORCHESTRA:
Released in 2009: EL
SISTEMA: Music to change life
The award-winning film by Alberto Alvero, Tocar
y Luchar (To Play and To Fight)
Credit: Images and video clip courtesy of and with
permission of Deutsche Grammophon.
SUPER
CONDUCTOR
SIMON BOLIVAR YOUTH ORCHESTRA
MAHLER 5th
ON 60 MINUTES
- Videos
EL SISTEMA
according to:
THE FOUNDER
THE ADVOCATES
THE BENEFICIARIES
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