The MAGIC FLUTE
is:


a.) an opera
b.) a fairy tale
c.) an allegory
d.) sheer fantasy
e.) loaded with profundities
and symbolisms
f.) fun entertainment for
children and grown-ups
g.) the ultimate in music
transcending reality


Would you believe - it's
ALL OF THE ABOVE???

****




Click to Play or Stop Overture
SAN DIEGO OPERA's
MAGIC FLUTE


Designed Zandra Rhodes' costume sketches for San Diego Opera's THE MAGIC FLUTE.

Other clips from the Magic Flute:
Tamino's Dies Bildnis
Queen of the Night



MOZART in FanFaire:


about MOZART
Marriage of Figaro
Magic Flute
Don Giovanni



Der Stein der Weisen -
a "new" Mozart opera

Parallels with Die Zauberflöte



 
And only MOZART could have turned "all of the above" into an opera for all seasons and for all ages. Over 200 years later, "The Magic Flute" (or Die Zauberflöte) is still staged year in and year out by opera houses all over the world.

In Southern California alone, by the end of January 2001 there will have been there different productions in the last 3 years:

Los Angeles Opera's production played to sold-out audiences in the 1997-98 season. In November 2000, "The Magic Flute" (in English, with spectacular sets by Maurice Sendak) opened Opera Pacific's current season .

On January 20, 2001 San Diego Opera kicked off its season with a production that was full of exotic and delightfully outrageous surprises. The opera - with its bizarre mix of sorcery and morality, of dungeons of darkness and temples of light, of menacing dragons and friendly furry or feathered creatures, of scheming villains and high-minded high priests, of a beautiful princess (saved by a handsome prince) and a wicked Queen of the night - was just the vehicle to fire up a costume designer's imagination. As it did Zandra Rhodes' - the famed British fashion designer acclaimed for her outrageously chic designs of the punk era. Of course the centerpiece as always was Mozart's beautiful, wide-ranging music. But when the curtain opened, all eyes were on the costumes created by Zandra Rhodes, shown at left with her trademark pink hair. This was her first foray into costume design for the operatic stage and, as her sketches above show, in opera her boundless, theatrical imagination met its match. It is safe to say that her first design for opera certainly won't be her last.

Photos: courtesy of San Diego Opera

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